Road to the Big Screen

OSCAR© Nominated Short Films

LIVE ACTION | ANIMATION | DOCUMENTARY

For over a decade, Shorts International has exclusively brought the Oscar© Nominated Short Films to the big screen.

Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation or Documentary.

The films go into theaters around the world shortly after nominations are announced and are not released anywhere else until a few days before the Oscars©, when they are also made available via on demand platforms. The release ensures the greatest number of viewers can see all the nominees before the ceremony, while providing short filmmakers with an unprecedented opportunity to commercialise their movies.

We at Shorts International believe the nominees are the absolute leading edge of what is the world’s very best in short film and the true future of filmmaking, especially if you believe that the future of filmmaking is short film…and we do!

If you are a filmmaker and have submitted your short film for Oscar© consideration, or are thinking of doing so in future, then you have come to the right place.

This page is designed to give you the best sense possible of what you can expect from us as you head into what can only be described as a monumental experience!

Who Are We?

Shorts International is the world’s leading short movie entertainment company.

In addition to being the exclusive distributor of the annual Oscar© Nominated Short Films theatrical release, we have the world’s largest catalogue of short movies and operate the world’s only TV channel dedicated to shorts. ShortsTV is available in the US, Europe and India, as well as across Latin America as TVCortos, reaching a total of 70 million households. The channel offers the best short movies from around the world, as well as original programming that puts the spotlight on both emerging and established talent and brings audiences into the fast-paced world of short filmmaking.

We’ve also launched the world’s first film app to use a similar machine-learning algorithm to Spotify, giving audiences the power to create their own movie channels based on their favourite genres and their mood. Plus, we distribute short movies to over 90 online stores, including iTunes, Amazon Instant Video and Google Play, and host regular film events and competitions aimed at honouring and advancing the careers of short filmmakers.

In short, our whole reason for being is short film. We are dedicated to bringing the world’s best short movies to audiences around the world and giving short filmmakers an unparalleled commercial medium to distribute their work.

Key Components


The 3 key components of the release itself include:

Theatrical Release

To be eligible to win an Oscar© all movies must be available for theatrical release. In 2018, the Oscar© Nominated Short Films release went into more than 500 theaters across the US, garnering reviews in every major news outlet, from the Hollywood Reporter, Variety and Deadline to the New York Times and Huffington Post. It was also released in over 100 locations around the world, including Canada, UK, France, Germany, Netherlands, Belgium, South Africa, Mexico, Chile, China and Australia among others, making it a truly international release.

US Box office history (2012-2018):

  • 2018
    • Limited Release Rank: 14 (YTD)
    • All Release Rank: 130 (YTD)
    • Revenue: $3.51m
  • 2017
    • Limited Release Rank: 21
    • All Release Rank: 170
    • Revenue: $2.84m
  • 2016
    • Limited Release Rank: 31
    • All Release Rank: 188
    • Revenue: $2.82m
  • 2015
    • Limited Release Rank: 26
    • All Release Rank: 177
    • Revenue: $2.41m
  • 2014
    • Limited Release Rank: 38
    • All Release Rank: 185
    • Revenue: $2.17m
  • 2013
    • Limited Release Rank: 35
    • All Release Rank: 183
    • Revenue: $2.14m
  • 2012
    • Limited Release Rank: 43
    • All Release Rank: 189
    • Revenue: $1.7m

The theatrical release is the single most important part of bringing your Oscar© Nominated Short Film to the world as it elevates your film in the media and allows viewers to enjoy your film the way it should be – on the big screen!

On Demand Release

Starting just a few days before the Oscar© ceremony, the nominated films in the Live Action and Animation categories become available across cable and satellite pay-per-view services in the US and online download platforms around the world, including iTunes, Amazon Instant Video, and Google Play.

Media Coverage

ShortsTV is the world’s only TV channel dedicated to short movies and available around the world. During this time, we dedicate our platforms to promote you, your film and your journey to the Oscars©. As a nominee you will take part in several Oscar© related events, including the Nominee Luncheon and the Academy screening and cocktail reception, and ShortsTV will be there every step of the way.

Our dedicated press teams also work to get as much media coverage as possible, ensuring maximum awareness and commercial success for the release and your films.

Timeline


Your life on the road to the big screen!

Oscars®Timeline

Financial Model

As a commercial operation with years of experience in the short film business, Shorts International is dedicated to making sure your film achieves the commercial success it deserves.

View Financial Model

Financial Model

Our goal is to produce the most engaging release for our audiences within the best setting possible for each Oscar© nominated film, cost-effectively: We want audiences to be amazed by your film as much as we are, and we want to be sure that you make money while doing so.

CREATING THE ONS RELEASE

Since the ONS come as fifteen different and unconnected short films, they must be programmed into three different theatrical presentations – one for the live action nominees, one for the animated short nominees and a final one (or two, depending on length) for the documentary short films.

For each theatrical presentation, our team creates an integrated programming plan, an intro & outro, title cards for each film, interstitials, music, subtitles and any other elements needed.

For the animation portion of the release, in which the animated films usually take up less than the necessary 75-85 minutes of runtime, our team selects additional “Highly Commended” films that are felt to be of high enough quality and audience enjoyment to strongly support the release.

To keep the costs low, we keep the work of design, interstitial creation and any filming needed in-house or with trusted contractors who are familiar with the release as much as possible.

We get the finished feature-length anthologies into theaters across the US and Canada on a shorter timeline than other theatrical distributors ever believed possible. From the time that we know which films will be in the theatrical release until the time they’re actually in movie theaters is no more than two weeks!

PRODUCTION OF THE ONS RELEASE

In September and October, three months before the shortlisters are announced by the Academy, our production team starts work on the poster, graphics, music and interstitials for the coming year’s release.

Once the shortlisters are announced in late November/early December, we get in touch with each shortlisted film to pre-position as many of them as possible at the post-production house in New York City where the final release will be produced once the nominations are announced.

Getting contracts signed for the release is critical at this stage, as the final master can’t leave post-production without all contracts in place. Any contracts not signed at this point may cause a film to be dropped from the release.

DISTRIBUTION OF THE ONS RELEASE

Theatrical

We start planning our US and Canadian release plan months in advance.

“Coming Soon” trailers go into theaters in the US at Christmas, and theater bookings are often well-underway by then.

The theatrical run then lasts until a few weeks after the actual Oscar© Ceremony.

Primary interest outside the US/Canada is for the Live Action & Animated portions of the release. We work closely with theaters, in-country theatrical distributors and film festivals in countries around the world, including the UK, Netherlands, Belgium, France, Germany, Italy, Australia, Mexico, Chile and South Africa, as well as individual or festival screenings in many other countries.

Digital

We have worked closely with movie theaters who screen the films to create a window for online commercial exploitation at the very tail-end of the theatrical run. But in return, we have promised to ensure the films are not available in other media (digital, TV, etc) from the time of nomination until the week before the Oscar© ceremony.

On the Tuesday before the Oscar© Telecast we release the digital compilation of the ONS across VOD and EST sales platforms. The release is carried as a pay-per-view/VOD asset by all major cable and satellite carriers in the US and some in Europe. It is also carried for sale in online stores such as iTunes, Amazon, Google, Verizon, Vimeo and others.

FINANCIAL RETURN

Theatrical audiences love the Oscar© Nominated Shorts.

Live Action & Animated releases have been in theaters since 2006 and have grown to more than 600 theaters in the US & Canada. The Documentary release began in 2011 and has grown to about 190 theaters in the US & Canada.

The Total Box Office for 2018 for all three programs was $3.5 million. Box Office ticket sales related to the Documentary Shorts continue to grow, rising to $0.5m in 2018.

 

What do theaters pay?

  • In aggregate, theaters keep approximately 65% of box office receipts (approximately 35% of box office to Shorts International).
  • Some smaller screenings for universities, community centres, etc are licensed at a flat fee.

How do we maximize the nominated filmmakers’ financial returns?

  • We don’t use a “fee first” traditional distribution approach:
    • In this model, the distributor takes the first 30-35% of all receipts then recoups expenses. The remainder is split among filmmakers.
    • In this model there is less risk to the distributor and much more risk to the filmmaker.
  • We do use the “costs off the top” model:
    • In this model, we recoup expenses first (no distribution fee before recouping expenses). Filmmaker’s “fees” are guaranteed up-front and recouped as expenses.
    • 50/50 split between distributor/filmmakers on remainder. This provides an incentive for us to keep expenses as low as possible.
    • The last 2 years have seen record returns to filmmakers for all categories – Each of the last three years have seen $0.3m+ in total returned to filmmakers across all nomination categories.

When do theaters pay and when do you get paid?

  • Most payments from theaters are received by late Summer/early Autumn, from which we recoup expenses.
  • We then report the theatrical portion of the release in the end of year statements following the release.
  • Digital sales report more quickly and begin being reported in the mid-year statements, two to three months following the release.

Who verifies the theatrical film statements?

  • We receive independent verification of your theatrical film statements.
  • Since the 2015 release, PwC has audited our statement process and controls to ensure we have appropriate internal procedures for accurate reporting of that year’s ONS Theatrical Release.
  • For the 2017 release onwards, PwC audit the accuracy of the transactional data used to calculate the net theatrical earnings for each release.
  • These reports are available upon request to all nominated filmmakers for the release containing their film.
  • In addition, Grant Thornton (the accountancy firm) conducts our annual statutory financial audit.

Rules & Eligibility

Rules & Eligibility

Read the OSCAR® guidelines for award entries

Know More

Posting your film on the Internet can reduce the chance of screening your film in theaters.

INTERNET HIATUS

The internet allows filmmakers a chance to showcase their films and provides great exposure and awareness, but once a film has been shortlisted it is very important for the success of the release that the films be taken down for the duration of the OSCAR® season.

Placing films on the Internet for free during that time (short list announcements through to The OSCARS®) will have a significant impact on the release. Audiences simply aren’t interested in paying to see films in theaters that they can find for free while sitting at their desk or riding home on their commute….thus leading to potential cancellation of the entire release.

This small internet hiatus window allows the films (and audiences) to enjoy these incredible films in theaters prior to the The OSCARS®, in that magical theatrical environment every movie wants to call “home”.

Contact Info

US & Latin America Contact

Efren Rodriguez e.rodriguez@shorts.tv

Linda Olszewski l.olszewski@shorts.tv

Jenny Hayden j.hayden@shorts.tv

Florentina Almonte f.almonte@shorts.tv

India Contact

Chintan Sarda acq-in@shorts.tv

Europe & World Contact

Simon Young s.young@shorts.tv

Ondrej Zemanec o.zemanec@shorts.tv

Select Your Region

Europe & Rest of the World

India

Latin America and the Caribbean

North America